0:05 Hello everyone and welcome to another
0:06 episode of Good Hang. We are very
0:08 excited about our guest today. It is
0:09 Kaperland, comedian, writer, actress,
0:13 and if you know Kate's work, you are
0:15 obsessed with her. And if you don't know
0:16 it that well yet, you are going to
0:18 become obsessed because Kate is here and
0:20 we are obsessed with her. And we're
0:22 going to talk about so many good things
0:23 today. We are going to talk about um
0:26 well uh chimney sweeps. We're gonna talk
0:28 about our obsession with our phone.
0:31 We're gonna talk about how men actually
0:33 feel about funny women. And we are going
0:35 to talk about her new comedy special
0:36 Parmesan, which is on HBO out right now
0:39 and is so good and I cannot recommend it
0:42 enough. Before we get talking to Kate,
0:44 we always do something on our show where
0:45 we talk to someone who knows our guest,
0:48 has a question to give me about our
0:49 guest. And we are going to talk to
0:51 another fellow hilarious performer,
0:54 writer, actor, John Early. You might
0:57 know John from Search Party. You might
0:59 know John from Maddie Secret and the
1:01 many various hilarious videos and
1:03 specials that him and Kate have done
1:05 together. So, let's see if we can get
1:07 John on the phone or the Zoom, however
1:11 we're talking to you, John. HI.
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1:55 [music]
2:00 [music and singing]
2:04 >> John
2:05 >> Amy. [laughter]
2:08 >> Oh my god, it worked.
2:11 [laughter]
2:12 >> Can [gasps] you see me?
2:13 >> You know what I never really noticed?
2:15 And I'm noticing right now how blue
2:17 those eyes are of yours. Shut up.
2:22 [laughter]
2:23 >> That's really sweet. Well, they are.
2:26 >> You [laughter] are blue eyes.
2:29 >> I'm kind of far back. Or you're kind of
2:30 far back. Are you You're blue.
2:32 >> I'm blue as well. Yeah.
2:33 >> Okay. Well, [clears throat]
2:34 >> and I just read somewhere that we should
2:37 be wearing sunglasses all the time.
2:40 >> No, you're kidding.
2:42 >> My
2:43 >> Because it's it's where we're more
2:44 susceptible to like vision
2:46 >> damage. Sun damage. I sund damaged eyes.
2:50 >> Wow. I have 2020. No offense.
2:54 >> Brag. No, I do not. You still have 2020.
2:58 >> I still do somehow.
3:00 >> That's incredible.
3:01 >> Thank you.
3:02 >> I do not. I've got reading. I've got
3:05 glasses for reading and it's going
3:06 downhill really fast.
3:08 >> Kate has reading glasses. You guys could
3:10 talk about that.
3:11 >> John Early, it is really good to see
3:12 you.
3:13 >> It's so good to see you. I'm so
3:15 starruck.
3:16 >> You're nuts. I am
3:19 >> John. Right back at you. You know, we
3:21 were we were watching we were
3:22 re-watching Vicki with a V and Maddie
3:25 Secret before we get got on and we were
3:28 we were saying like there's certain
3:30 people when they um when they portray
3:35 female characters that it feels like
3:37 aggressive.
3:38 >> Yeah. Yeah.
3:39 >> Uh and you
3:40 >> they're working through something.
3:41 >> They're working through something.
3:42 >> Well, and I clearly am too, but
3:44 >> Well, we all are. It's maybe it's maybe
3:47 more um coming from some sort of
3:51 childlike longing and not necessarily an
3:53 aggression.
3:54 >> No, it feels very nice. It feels like it
3:57 feels very like it just makes me feel
3:59 nice and safe. It doesn't make me feel
4:00 weird.
4:00 >> Oh my god. Thank god. [laughter]
4:04 >> For people that don't know, you and Kate
4:06 have created so many works of art
4:09 together. [laughter]
4:10 >> Thank you.
4:11 >> And you are like partners, but not
4:13 partners. You do your own separate
4:15 things always, but when you come
4:17 together, there's like this special
4:18 language. Like there's a comedy
4:20 language, but it always consists of this
4:24 very thrilling deep dive into something
4:28 like it's always really deep and always
4:32 funny.
4:32 >> Thank God.
4:33 >> When did you first meet Kate? Let's talk
4:36 about that origin story. We first met
4:40 when I was I guess we were both like 24.
4:45 Um which was last year. [laughter]
4:49 >> Um
4:50 >> and uh we we met like okay we met
4:55 basically doing our mutual friends
4:57 comedy show.
4:58 >> Mhm. And you know, I I just had never
5:01 met someone around my age who uh who was
5:05 as funny as like my idols, you know.
5:09 >> Yes.
5:09 >> It it was so crazy. I always figured,
5:12 you know, the people around me were
5:14 we're all going to be kind of
5:15 collectively trying to get to that
5:18 level. We'll spend our whole lives and
5:19 we'll always and we'll always fail, you
5:21 know, we'll always fall short. But I was
5:23 like, she is just like right there.
5:25 >> Mhm.
5:26 >> She's already there. She's like already
5:28 in a Christopher Guest movie, you know,
5:31 in my mind.
5:32 >> And that night when we were separating,
5:35 we were just kind of like we [snorts]
5:36 kind of like
5:38 >> said our vows to each other and we were
5:40 like we were like, "Let's have us like a
5:42 sleepover tomorrow
5:43 >> and we just like started our friendship
5:45 the next day." We just like knew and and
5:47 and I went over to her apartment and
5:49 [laughter] we we just did not separate
5:53 really until she moved to LA. We spent
5:55 like almost every single day together,
5:58 every night together. I would literally
6:00 run out of clothes. I would run out of
6:02 underwear and from spending the night at
6:05 her apartment so much. And I would just
6:07 go to CVS and get a pack of Hannes
6:10 [laughter]
6:11 >> and I'd wear the same shirt and pants
6:13 every day and I would just run out of
6:16 Hannes and go get a new pack.
6:17 >> And Cuz you're like, there's no way I'm
6:19 leaving this apartment.
6:20 >> I'm not going back to my apartment. I
6:21 refuse. And we and Amy, we slept in the
6:23 same bed. M
6:25 >> and we literally and the room was as big
6:28 as the bed her like there was a foot of
6:30 space on on uh the on one two sides of
6:34 the for it was tucked into a corner you
6:36 know and we would just we slept like
6:40 angels like that was the first thing we
6:42 noticed was like we were like what is
6:44 this like otherworldly sense of comfort
6:46 we have with each other that we can
6:48 share a bed
6:50 >> I'm sure you've been asked to explain
6:51 this but the stuff that you guys did
6:53 together. How would you explain that
6:55 type of comedy
6:57 >> if you were to have to explain the style
6:58 of it? I can try, but I'd like to hear
7:01 I'd like to hear what you say.
7:02 >> Okay. Um Okay. Yeah, it it is really
7:07 hard. [laughter]
7:08 I mean, obviously, one thing that we
7:10 love to do is like, you know, passive
7:14 aggression.
7:15 >> Yes.
7:16 >> You know, we we love it so much.
7:19 >> Why do you love it so much? Why do you
7:20 Why does Kate love it so much? Why do
7:22 you love it? I mean, I do too, but what
7:24 do we love about it?
7:25 >> Well, I think I think I love it cuz I
7:28 come from like the South and [snorts]
7:31 which is like a a really,
7:34 you know, you could say the the
7:36 birthplace of massive oppression.
7:38 >> Um, like I come from kind of like
7:40 Protestant world where like that is just
7:43 in the water. It's just like you don't
7:46 you don't express your anger so you ha
7:49 it has to come out another way. I think
7:51 for Kate, she's a she's been around a
7:55 lot of authoritative
7:58 >> um artistic people. [laughter]
8:01 >> And I think maybe that's where it comes
8:03 from is like people who speak with a
8:05 kind of like I mean avantguard authority
8:09 or whatever. It's like that there's a
8:10 there's a way that that can be
8:12 incredibly hostile.
8:13 >> Mhm. you know, while even if you're
8:16 speaking in this very measured academic
8:18 way, you know, you're like and and so
8:20 maybe that's where it comes from for
8:21 her.
8:22 >> Yes. There there's like a way in which
8:23 you guys play around and in her new
8:25 special she does in Parmesan her new
8:27 special she does this where you play
8:29 around with superiority.
8:31 >> Yeah.
8:32 >> Like that's what you you put that coat
8:34 on and take it off. And of course the
8:36 other side of that is inferiority
8:38 always,
8:38 >> right? It's like and I think that if we
8:40 if we're playing people who and this is
8:43 I think actually Kate's specialty is
8:45 like this um this like the foolishness
8:49 of like authority and um you know yeah
8:52 pretentiousness
8:54 I hope so
8:55 >> the certainty part is so real because
8:58 especially like in today's culture like
9:01 we're surrounded by experts
9:03 >> it's so intense and I and I really I I
9:06 think it's time for Kate to kind of like
9:07 seize her throne as like the great
9:09 imitator of those things. She really can
9:12 like what what's so crazy about working
9:15 with her is like I mean it's like it's
9:17 awful for me because it's like I'm like
9:19 across from her. I'm like cool I have
9:20 nothing. I'm like I'm just like how do
9:22 you I'm always shocked.
9:24 >> I'm very sorry but I disagree. I feel
9:27 like I'm going to say right here John
9:29 that your volley is it is like Agassy
9:33 and Sris. [laughter]
9:36 I believe they played together. I hope
9:38 they did. But it is that the back and
9:41 forth is
9:43 >> it is Federer and Nadal. [laughter]
9:46 >> Thank you.
9:48 >> Excuse me. Well, you'll notice that I'm
9:49 always I'm like always screaming.
9:53 >> Yeah. Well, louder is funnier.
9:55 >> Well, I think she's also, and I'm sure
9:57 you'll get into it minute one, but you
9:59 know, she's an only child. [laughter]
10:00 >> Oh, yeah.
10:01 >> And so there's like there is such a the
10:03 only child has to like entertain
10:05 themselves in the mirror, you know?
10:07 >> Right. and and and she comes, you know,
10:09 artist, father, like, you know, she was
10:12 around these very at a very young age. I
10:15 mean, she was like under the table, uh,
10:17 you know, as like with all these like
10:19 kind of very like genius LA modern
10:23 artists, abstract artists, probably
10:25 having incredibly pretentious,
10:28 indecipherable, illeible conversations,
10:31 you know, and so I [laughter] think she
10:32 literally learned before she was like
10:35 even conscious, she learned how to like
10:38 imitate just like absorb those sounds
10:40 and like to in order to participate cuz
10:43 she was bored. Yes.
10:45 >> Okay. Do you have a question for Kate
10:48 today? Anything you think I should ask
10:50 her?
10:50 >> I have a few that you should pick from.
10:53 >> Okay, great.
10:54 >> Like some of them are just
10:56 they're kind of inside jokes.
10:58 >> Great. Perfect.
10:59 >> But I actually think if you get into
11:01 them, they will be deep.
11:03 >> Fantastic.
11:04 >> They'll be generative. Okay. So,
11:05 [laughter]
11:06 one is, "Do you miss Paris?"
11:09 >> Fantastic. Do you miss Paris? Perfect
11:11 question.
11:12 One is uh do you think you're funny? Oh,
11:15 >> incredible. In Kate's special, she goes
11:19 deep on this idea that comedy isn't
11:21 funny. And it's incredible
11:24 cuz I agree.
11:25 >> Yes, it's not funny. And also, this is
11:27 like this is something that we we make
11:30 ourselves laugh very very hard. We'll
11:32 just like if if like suddenly a silence
11:35 falls, like there's like a lull in the
11:36 conversation, I'll be like, "Do you
11:38 think you're funny?" [laughter]
11:40 and like and and then we'll and we'll
11:42 try to answer and she'll do it back to
11:43 me like, "Do you think you're funny?"
11:44 And then and then I'll be like, "Do you
11:45 think I'm funny?" [laughter]
11:48 >> And then we're like, "Um, can I be
11:49 honest?"
11:53 >> It's a favorite [laughter] It's a
11:54 favorite inside joke. But I do think it
11:56 like it's an inside joke, but she if you
11:58 actually ask her, something good could
12:00 come out. Great.
12:01 >> Um,
12:02 >> one is how are the kids? [laughter]
12:07 >> Perfect questions.
12:09 [laughter] Um, one is related to the
12:12 special. So, are you gay or what?
12:14 [laughter]
12:15 >> Yep. We're going to get into it
12:17 hopefully. Kate really talks about how
12:19 she's gay. [laughter] That's I guess
12:22 that's the way the fastest way to put
12:24 it.
12:24 >> Yeah.
12:25 >> Yep. Okay. Great. Are you gay or what?
12:27 >> Final one is shoes on or off?
12:29 >> Shoes on or off.
12:31 >> Like as a host.
12:32 >> These questions are incredible.
12:34 >> And did you get my email about Kate's no
12:36 fly zones? No, I'm gonna look along.
12:40 >> Okay, [laughter] got good to know. I'm
12:42 gonna look at it right now.
12:43 >> Good.
12:44 >> Good. Thank you for that. Thank you.
12:46 >> She doesn't have a manager and no one
12:47 will represent her. So, I've taken it on
12:49 as we're doing the special.
12:51 >> Thank you for that. Yeah, that's
12:52 important to see and thank you for
12:53 bolding everything in all caps. I
12:55 appreciate that. [laughter]
12:57 >> Okay.
12:58 >> Okay. Bye, John. Bye, y'all.
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14:32 with code Amy.
14:35 >> Get in frame. We cannot talk unless
14:37 we're in frame. [laughter]
14:38 >> Keep going. Who's that? Okay. You got to
14:40 get in like this. Amy that fast now. Is
14:43 there who?
14:44 >> We got [laughter]
14:46 We got to get you in frame. We cannot
14:48 speak unless we're rolling.
14:49 >> Yeah. Don't scroll past. [laughter]
14:50 You look amazing.
14:52 There were there were lipsticks in the
14:54 green room. Yeah. And I thought I was
14:56 like, "God, this is so classy." Like
14:57 everyone who comes you get like you get
14:59 this huge box of lipsticks and I'm going
15:01 I'm looking at the colors and then I
15:02 asked and they were like, "Oh, um, yeah,
15:04 Jennifer Lawrence left those [laughter]
15:06 few few months back."
15:07 >> Yeah.
15:08 >> And so you've had month you have had
15:09 months of guests who look at that, they
15:11 go, "I'm fine. I don't need to engage in
15:13 that." I look at it. I already text it
15:15 to my mother, my partner, [laughter]
15:16 my best friend. I'm like, "We made it."
15:19 And I'm taking it home. Actually, now
15:22 you have to because you've touched all
15:23 of them. [laughter]
15:23 >> Exactly. Well, they were they were
15:24 unused, so I go, "Well, this is
15:26 definitely a gift. This is a promotional
15:27 gift to me."
15:28 >> It absolutely is a gift now. It is.
15:29 You're taking all of those lipstick
15:31 home.
15:31 >> Anything free.
15:32 >> Kate Bland is here. Kate, on the drive
15:34 over here, I just want to give you
15:38 I want to give you a compliment.
15:40 >> I receive them. Well, I'm not one of
15:42 these me. No. I'm like, please.
15:45 >> Okay. [laughter]
15:46 driving over here, I was filled with
15:48 glee cuz I was like, "This conversation
15:50 is going to be so fun, so funny, so
15:54 deep.
15:55 >> I love seeing you and never get to and
15:58 like this is a chance to just actually
15:59 hang out with you."
16:00 >> Yeah.
16:00 >> I loved your special. I watched it last
16:02 night. It's so
16:04 >> Thank you for watching it. Thank you.
16:06 >> You're welcome. Because I don't always
16:08 watch all of the things.
16:08 >> Well, I figure I was doing dishes last
16:10 night and I go, "By the way, she's not
16:12 going to watch it." And that's fine. I
16:14 know. She's so busy.
16:15 >> Sometimes I like I can't get to it.
16:17 >> You know I love you. Couldn't watch it.
16:20 Girl, I would have been like of course
16:21 you have so much to do. The media that
16:23 you're [laughter] it's too much.
16:24 >> I couldn't wait to watch it and all of
16:26 us watched it. Love it.
16:28 >> But more than that, you are this giant
16:31 brain
16:33 avantgard interesting artist who is also
16:36 warm and nice.
16:38 >> It's hard to find those two things.
16:40 Sometimes people are like really nice
16:42 but maybe not adventurous in their art.
16:44 And sometimes people are like really
16:46 prickly, sharp, interesting artists who
16:49 maybe don't want to talk.
16:50 >> Yeah.
16:51 >> You to me are like the perfect
16:53 combination of those two things. You
16:55 talk about things that I am obsessed
16:57 with. Everything in your special it is
16:59 hitting me in such a deep way and I love
17:02 your work and you. It's okay. Brilliant
17:03 to see her.
17:05 >> Okay. Bye.
17:05 >> By the way, that was all on a prompter
17:06 just for people at home. [laughter]
17:08 It seems authentic. I saw her and I go
17:10 and everything she said. Um, no. I love
17:14 you so much. You're Thank you. That's
17:16 like I I that's such kind words. It
17:18 means so much to me. And I
17:21 grew up with a picture of you on my
17:23 wall. I mean, it's we get to that, you
17:25 know, I told you this. I had the Upright
17:26 Citizens Brigade Manifesto printed out
17:29 on where the words where the text gets
17:31 really really tiny at the bottom. Like
17:32 I'm very like
17:34 >> we we have had the pleasure of being in
17:36 each other's simulations for a lot of
17:38 our lives. We we have and like the
17:41 topics that you talk about always speak
17:44 to me, but this latest special is
17:48 [laughter]
17:49 >> Oh, I can't wait.
17:50 >> Okay, I want to start there before we
17:52 get into the bigger picture of your life
17:53 because it is so top of mind and you
17:57 talk about the things that I love.
17:58 phones
18:00 >> and our love of my my phone is my best
18:03 friend.
18:03 >> Yeah.
18:04 >> Hair.
18:04 >> Yeah. I talk about hair.
18:06 >> Well, I talk about your hair in my mind
18:09 when I watch it.
18:09 >> Yeah. Totally. Thank you. Okay.
18:10 >> You don't talk about hair, but I want to
18:12 talk about your hair. It is
18:13 >> I got a haircut 3 days ago. Can
18:15 [laughter] you believe it? The woman
18:16 that cuts my hair. She's amazing.
18:17 >> You with a haircut. Guan Fairfax, go get
18:19 her. She goes a few times. I go, she
18:22 only cut like an inch. Just an inch. She
18:23 goes, "I want extreme length for you."
18:25 And those words, "I want extreme length
18:27 for you. I want extreme length. And now
18:29 people I my it's extreme length. I'm not
18:32 going to go well I'm not going waist.
18:34 >> I noticed that your hair was longer than
18:36 usual and I was I was thrilled by it. I
18:39 love extreme length for you.
18:41 >> Okay. [laughter] Thank you.
18:42 >> Um also you talk about the hell of being
18:45 a woman and how you you know rather have
18:48 it no other way. basically like the
18:50 combo of like what we are what we are
18:53 always negotiating with and that we
18:56 wouldn't trade it for anything like
18:57 that's what it feels like when I hear
18:59 your work.
19:00 >> Yeah. [snorts]
19:00 >> And so for people um who are
19:02 [clears throat] who are maybe getting to
19:04 know Kate for the first time on this
19:05 podcast, Kate is a comedian and actress
19:09 and um artist and she has a new special
19:13 uh on HBO called Parmesan. And I would I
19:15 would if you don't mind if [laughter]
19:17 >> YOU'RE LAUGHING THEN DON'T EVEN BOTHER
19:19 tuning in.
19:22 >> I mean, but why is it called Parmesan?
19:25 >> Why is it called Parmesan? So, you know,
19:26 you hear this thing people go, "Oh,
19:28 here's a temp title. I'm not going to
19:29 call it Parmesan. That would be insane."
19:31 And it's one of those things that just I
19:34 it was just it was making me laugh
19:36 because it was just so ridiculous and
19:37 stupid. I think like I was talking to
19:39 Chelsea Pretty and she was like, "Oh,
19:40 you're doing a a special. What's it
19:42 called?" I said, "Parmant." I just
19:43 laughed and I was like, "Okay." Cuz it
19:45 it's just so deeply unserious and
19:47 ridiculous and what could that possibly
19:49 relate to? And by the way, the special
19:50 isn't about food in any way, right? Even
19:52 though you you love to talk about food
19:54 and you love restaurants.
19:54 >> I mentioned restaurants, but but uh but
19:57 no, Parmesan, if when when you watch the
19:59 special, you'll see it does reference a
20:01 joke in the in the special. And and not
20:03 to to to spoil the joke, but it's about
20:06 this idea of what we comment on,
20:10 what draws us to comment as people on
20:14 social media and on our phones, like
20:15 what we think is a way in which we're
20:17 going to connect with what we're reading
20:20 >> and the existential dilemma of that.
20:23 >> Yeah. Can you talk a little bit about
20:26 how addicted you are to your phone?
20:28 Because I am too and I genuinely
20:30 genuinely genuinely am.
20:32 >> I relapsed so hard. So
20:34 >> do you do you have work or program?
20:36 >> By the way, I have gone to ITAA
20:39 meetings. Internet technology addiction
20:41 anonymous. I don't know if I'm supposed
20:42 to say that. I don't know.
20:43 >> I actually would.
20:45 >> No, they're slow.
20:47 >> Save a seat for me as they like to say.
20:48 I've done I've done the Zooms twice, but
20:51 but still I was still I shared but I
20:54 like we do need help cuz we are in the
20:57 fight for our lives.
20:58 >> Yes.
20:58 >> And it's the kind of thing that it's
21:00 become it's like the weather. It's like
21:01 this thing that we're just in and it
21:02 kind of feels like
21:04 >> why bring it up? Why talk about it? But
21:06 I I can you know I've gone on on I was I
21:09 had six weeks of sobriety. I did a six
21:12 week cleanse. Nothing. I've done I've
21:14 done a month a few times.
21:15 >> Okay. Can you just step me through this?
21:17 What do you mean by nothing?
21:18 >> Okay, so [laughter]
21:21 nothing. Me in a room. No. So what it is
21:23 is by nothing I mean no social media
21:25 whatsoever.
21:26 >> Yeah. Sure. Sure.
21:26 >> So I still have email and I'm still
21:28 texting 24/7 and doing anything else.
21:31 >> But no scrolling.
21:32 >> No scrolling.
21:33 >> And no Yeah. And not looking at
21:36 Instagram reels and no social media. Not
21:39 posting anything.
21:40 >> None of that.
21:40 >> Yes.
21:41 >> And the sixth week was really good. And
21:44 I said, I go, "I'm not going back this
21:46 time."
21:47 >> I like was telling everyone, I was like,
21:48 "No, I'm out." Yeah. No, I'm out. I'm
21:50 I'm out and I am right back. And like
21:53 last night, I found myself I was like
21:55 got home late
21:56 >> and I was like, I've had a long day of
21:58 working. You know what? I'm going to
21:59 unwind. I'm going to curl up on the
22:01 couch. And I and I'm and that's the
22:04 moment when it becomes infused with this
22:06 feeling of rest. Like this is rest. And
22:07 it's not.
22:08 >> It's actually chipping away in the
22:10 digital labor minds. And so I [laughter]
22:13 you know, and I'm like, "Yes." And so, I
22:15 mean, I have it in the bath now.
22:17 >> Of course I have.
22:18 >> Of course, because I was doing bads, no
22:19 phone, and I go, "Babs, no phone." And
22:21 suddenly it's 1904 and I'm a novelist.
22:24 And it's like, and by the way, when you
22:26 go off your phone, I have found three
22:28 weeks of no scrolling.
22:31 >> Memories. I'm driving. Childhood
22:34 memories. Like, it's unbelievable. I'm
22:36 like, I'm back in the kitchen and I'm 10
22:37 years old and my father comes like like
22:39 it's like my brain is like, "Thank you."
22:41 it's opening up and it's flooding me
22:43 with images and and and it's like you
22:45 just start to think again. You start to
22:47 be more intimate with your life. And
22:49 that's the thing that's the most
22:50 devastating. We can talk about of course
22:51 the the you know the this the horror
22:53 machine of this and like the fascistic
22:55 machine of it and all of that but then
22:57 just on the base level like on a
22:59 personal psychological level like you've
23:01 lost all intimacy with yourself and like
23:03 that's the that's the the the crisis of
23:06 it. It's just so devastating. And once
23:08 you get a little bit of that intimacy,
23:09 you're like, "All right, no, this is
23:11 actually this is really medicinal." I
23:13 >> I mean, this is why I love talking to
23:14 you. You can we can go deep end so fast.
23:17 And then you also have jokes. [laughter]
23:21 >> Okay. Me um another thing that chilled
23:24 me to the bone and made me laugh out
23:26 loud um while I was listening to the
23:29 your special
23:30 >> on my phone. [laughter]
23:31 >> I watched it on my phone. I'm so sorry.
23:33 is um the idea about how men say they
23:37 want to be with funny women but they
23:39 hate funny women
23:41 is
23:42 >> let's go there
23:43 >> honey it is like it it's giving me a
23:46 flush right now actually think about it
23:48 it was so funny now the the idea the
23:51 sentiment of like funny women being a
23:54 threat isn't a necessarily a new one
23:57 >> but the way in which you present this
23:59 idea which is let me just for a minute
24:01 trouble this what and and present what
24:04 men actually want.
24:05 >> Yeah. Yeah.
24:06 >> What do you think in your way that is
24:10 like can we talk about that for a
24:12 second? How did you come up with just a
24:14 lifetime of being funny?
24:15 >> Well, I can actually tell you. So, I
24:17 there's this like central memory which
24:20 I've been like a ham and a goof since I
24:22 was like a baby, right? But I remember
24:24 so I went to an all girls school and I'm
24:26 strong if my girls are going to single
24:28 sex. Okay. You got [laughter] to
24:30 separate the girls.
24:30 >> Did you like single sex school? Did you
24:32 like What do you think, sweetie? Yeah.
24:34 >> Yeah. You
24:35 >> free and then never free again.
24:36 Graduated and was never free. Yeah.
24:38 [laughter] No, I I like
24:41 Thank God. And I started comedy. I did
24:43 stand up for the first time when I was
24:44 17 at my high school.
24:45 >> I read this in the basement of your high
24:48 school.
24:48 >> Yeah. So, [laughter] but anyway, but so
24:51 I was always, of course, you know, the
24:53 class clown, all of that. And then I one
24:55 day after school, I was 14, 15, maybe 15
24:59 after school with a really cool and like
25:02 a cool guy like after school there's
25:04 like two cool guys in the room drum kit
25:06 listening to Neil Young Harvest like
25:08 what's this? Yeah, it's pretty cool.
25:09 [laughter] Like doing that.
25:10 >> Yeah.
25:11 >> With my friend who was a gorgeous like
25:13 Pack Sun model, you know, like truly.
25:15 And she's over there and I'm here like
25:17 like talking to the guys.
25:18 >> Yeah.
25:18 >> And this guy who was like the really
25:20 popular cool guy, he was laughing and he
25:22 was like, "God, you know, you're really
25:23 funny." I was like, he was like, "You
25:24 should be careful though. Guys don't
25:25 like funny girls cuz it reminds them too
25:27 much of other guys." [laughter]
25:31 I remember I was leaning against the
25:32 wall. I was sitting on the bed like
25:34 this, leaning against the wall and it
25:36 was like, "By the way, thank you for the
25:38 truth." And the honest say that I was
25:39 going to say that's an unbelievable
25:41 gift.
25:41 >> There it is.
25:42 >> There it is.
25:43 >> And
25:45 >> he was not wrong.
25:46 >> I heard it. It went in and I went,
25:49 "Yeah, I'm going to carry this weight
25:51 for the rest of my life." And it and it
25:53 was like it's really so so yeah I've
25:56 been kind of like teasing that out.
25:58 [laughter]
25:58 >> Yes. Well because also there's a the
26:02 bigger thing also behind it is there's
26:04 obviously like to be funny is to be a
26:07 little embarrassing and men hate being
26:10 embarrassed.
26:10 >> Go like this. [laughter]
26:13 >> Everyone's like why? It's like no it's
26:15 cuz you're going
26:17 it's like that's why they're [laughter]
26:19 not kissing you. No but like totally It
26:21 is. It's like, but it's
26:23 >> it's manifold. And by the way, if you I
26:25 want to just say this to clear the
26:26 record. Of course, there are guys who
26:28 like Of course I've dated them. You've
26:30 dated. We've all of course they exist.
26:33 [laughter]
26:34 It's like this does ex exist. It is
26:38 true. It's like if you're doing comedy,
26:40 you're you know, it's a historically
26:41 masculine role, you know, in society,
26:43 [clears throat]
26:44 whatever. It
26:45 >> it just creates this like rupture. It's
26:47 like a weird like gender performance
26:48 thing that people are like. Like it just
26:51 it's it's
26:51 >> Yes. Rupture. Exactly. Right.
26:53 >> A divine rupture. I might argue a divine
26:54 rupture.
26:55 >> A divine one that's needed in our
26:57 culture. There's people who were voted
26:59 class clown women and in my school the
27:01 class clowns that were women were like
27:03 bad bad girls.
27:04 >> You know what's funny? So I was a good
27:07 girl in the sense that I slept at the
27:08 foot of my parents' bed, you know, my
27:10 entire life. Emotionally I was at the
27:11 foot. And so I was like a good girl.
27:15 like loved school, loved my friends, was
27:17 like, "Teacher, teacher," you know, like
27:19 I, you know,
27:20 >> um, but I did have a little bit of like
27:23 the the mischievous like, okay, I so a
27:27 bit of a prankster, benevolent pranks,
27:29 never hurt anyone. But I'm recalling
27:31 live, which is amazing cuz on the drive,
27:32 here I go. What are the stories? What's
27:34 my life? There's nothing. And then I'm
27:35 going, it's coming up. IT'S HAPPENING.
27:36 I'M HAVING MEMORIES. OKAY. SO, like
27:38 something that I used to do was, you
27:40 know, like the big drop down. This is
27:41 this is I could be arrested for this
27:43 actually. the big drop down maps like at
27:45 school of the world and of America. So
27:48 >> my little thing that I did is like I'm
27:50 gonna steal those for my for my bedroom.
27:52 So I so I would jump up, unscrew them
27:55 and walk out. And if you're walking if
27:57 you're 16 and you're walking with the
27:59 the map of the world out of the class,
28:02 they go, "Oh, she's supposed to do that.
28:04 Obviously someone asked [laughter] her
28:05 to move that to the basement or
28:07 whatever." So I really got my rocks off
28:10 doing that. And I do have a bit of a
28:12 klepto. I've squashed it.
28:14 >> I I also have a bit of a klepto.
28:17 >> Well, I mean, women and and stealing and
28:19 kleptomania is very interesting and very
28:21 and because in a world where we feel
28:23 like, you know, we've been stolen from
28:25 what you said about makeup, how you feel
28:27 that women should be able to steal
28:29 >> safely and from big, you know, not mas,
28:31 but from the big guys, take a little
28:32 blush. Fine. [laughter]
28:34 >> Yeah.
28:34 >> Yeah. We deserve it.
28:35 >> You're owed that blush
28:37 >> cuz a blush is mandatory,
28:39 >> right? And nobody's paying for it. the
28:41 government is not paying for our blush.
28:42 >> Tampons and blush has to be free.
28:44 [laughter]
28:47 >> Um, and then you also speak about um the
28:51 difference between dating men and dating
28:53 women because in the special you uh
28:55 congratulations, [laughter]
28:57 you are gay now. Congrats.
29:00 >> Bye Amy. [laughter]
29:02 Confused Amy.
29:05 Okay. I say gay is a shorthand because a
29:08 lot of people now, you know, bisexual,
29:10 you know, bisexual fem walks and they
29:11 go, "Oh, what? You kiss a girl in the
29:13 eighth grade, right?" And I'm going,
29:14 "No, I'm living that life." Actually,
29:16 >> right. I mean, this is so funny cuz I
29:18 talk about something special like
29:20 >> I'm genuinely obsessed with sexuality,
29:23 my sexuality. And it's like I also think
29:26 there's this like I grew up with this
29:27 narrative of like if you you know come
29:30 out later in life, it's cuz you had this
29:32 secret and you were like jerking off in
29:33 private and you were like no, no, no.
29:35 [laughter] You know what I mean? It's
29:35 like that's not what my life was at all.
29:37 >> Yes.
29:38 >> Like I just was like always with men. I
29:40 fell in love with a woman. This like
29:41 other like room opened and I was like oh
29:43 >> yes.
29:44 >> And then of course and then I reflect
29:45 back and I go oh my god. And so then I
29:47 can be like wait so was it always I was
29:49 like my obsession with my PED teacher
29:50 and you know fourth grade I'm like
29:52 what's that?
29:54 >> She was gay. [laughter] Yeah they all
29:56 were. No, but but like I go back and and
29:59 so but I guess I'm less interested in
30:01 like locking in to a certain category
30:04 mostly because I think what's
30:05 interesting is like failing and what's
30:08 funny is like failing within those
30:09 categories. Like I'm a failed straight
30:10 woman for sure.
30:11 >> Yes. [laughter]
30:12 >> But I'm still like I love the mall and I
30:14 love a beautiful, you know, like it's
30:16 like like [laughter]
30:18 so what? But then but but I but like I'm
30:22 [laughter] also like a failed gay woman.
30:24 >> Right. If I may, the thing you said
30:26 which I have never heard articulated
30:28 which and and that's why it was so
30:30 incredible because you're you're
30:33 >> because you've kind of lived in both
30:34 worlds. It's hot, right? [laughter]
30:38 >> Because you've lived in both worlds.
30:41 the perspective of from kind of being
30:44 like on the other side looking almost
30:46 like back at what was like a way of
30:48 living and the realization that you came
30:52 to which is just again the comedic
30:54 realization but like all of your stuff
30:56 steeped in such truth is that
30:59 heterosexual relationships between men
31:01 and women kind of are often helpful to
31:05 women who don't want to be seen. And it
31:08 is
31:08 >> there [laughter] it is. It is.
31:11 >> That's what fascinated me cuz I was
31:13 like, and by the way, I've had beautiful
31:15 relationships with men, but it's like
31:18 it's really fascinating to I did when I
31:21 kind of started to like be in like gay
31:24 relationships. I was like, oh, like
31:28 are I I truly was like, okay, are all
31:31 women are are women I believe that
31:33 straight women exist, [laughter] but is
31:35 that all
31:36 >> people listening? Kate made a face like
31:38 >> but and I and I was like but is that
31:40 also just their way of being left alone
31:42 in a way? And I was like, and there
31:44 there's validity to that.
31:45 >> And and like obviously I'm also speaking
31:47 like everyone relax, okay? I know
31:49 there's straight people that are in love
31:50 and they're, you know, screaming,
31:52 laughing, whatever, [laughter] but
31:54 >> but there is there is this inherent um
31:56 distance.
31:58 >> There's always distance between people
31:59 even in queer relationships, of course.
32:01 But there is this like there's this deep
32:04 distance between men and women. I am
32:07 also I think it's hard when you're when
32:08 you're comedian, when you're a class
32:10 clown, when you're an actor, I can
32:12 really love the performance of being of
32:14 femininity and God bless. And I am
32:16 attracted to masculinity. I love that
32:18 performance. So, I think there's
32:19 something there's something that is
32:21 always strange when it's only when
32:22 people don't know they're performing
32:24 that it starts to get scary.
32:26 >> That's exactly right. Like it was one of
32:27 my questions I wanted to ask you, which
32:28 is you're very good at this and we work
32:31 with a lot of people that are good at
32:32 this, which is we can mirror what people
32:35 want us to be like or like we can just
32:37 get in there and just be like I'm this
32:39 person. And the question for you is like
32:42 I think the the part of like growing up
32:44 and figuring yourself out is knowing
32:46 like that's actually expensive. Like it
32:48 takes something.
32:49 >> Oh yeah. [laughter] Oh, the way the the
32:52 full performances I'm doing in case
32:54 someone sees I was just talking about
32:55 this on my podcast poo. But [laughter]
32:57 like airplanes are really places where
32:59 these performances and gender really
33:01 comes comes pronounced. So like the
33:02 other day I was getting onto a plane and
33:04 I had a carry-on luggage to put overhead
33:07 and there was a guy right opposite and
33:09 and I kind of did this thing and he was
33:10 like, "Oh, like do you want to help with
33:11 that?" Whatever. I was like, "Yeah, do
33:13 you mind? Sorry." You know, whatever.
33:14 [laughter] And and then he lifted it up
33:16 and then I said to him, I don't know why
33:17 I go, I have a shoulder thing I'm trying
33:19 to not aggravate. [laughter]
33:21 >> And you made that up.
33:22 >> Yeah. Completely fake. And then I found
33:24 myself going, "Oh [ __ ] now I have to
33:26 kind of like do this shoulder injury.
33:28 [laughter]
33:29 I had another bag, a lighter bag to lift
33:32 up. And so I kind of lifted it up, but
33:34 in kind of like a like I I tried to
33:35 overcompensate, you know, and by the
33:37 way, he very well is bur buried in a
33:39 book. He's not even looking. But I'm
33:41 locked into the performance lest he
33:43 glance over." Yeah.
33:44 >> And then when we landed 6 hours later, I
33:47 go, "Time to get the show back on the
33:48 road." And then I was doing kind of,
33:50 [laughter] you know, kind of
33:52 >> for who?
33:53 >> For who?
33:54 >> Who is watching? I know.
33:56 >> But don't you kind of think they're
33:57 watching?
33:58 >> Well, [laughter] you know who's
34:00 watching? I'm I'm watching. Like that's
34:02 the thing is like
34:04 >> the idea that like who we who are we
34:07 like what self is the real self is a
34:10 non-stop delightful journey for me. It's
34:13 it's absolutely endless and it's like
34:15 this is and this is where al also sex
34:18 sorry I said it [laughter] someone had
34:19 to
34:20 >> first comes in is like like and that's
34:24 why I think honestly class clowns and
34:25 this is where it can get hard funny on
34:27 funny two class clowns in bed it can get
34:29 complicated [laughter]
34:31 >> you're right like that actually sounds
34:32 like oh god I don't know
34:35 >> you kind of need someone to go snap the
34:36 like no you need someone to be like [ __ ]
34:40 like unselfconsciously
34:42 like Like because I do I it's
34:45 complicated.
34:45 >> I'm obsessed with your relationship to
34:47 your own body on stage because like to
34:49 be looked at is already so intense and
34:53 the way you use your body to like ground
34:55 yourself in performance is so
34:58 interesting for me to watch.
35:00 >> You like like a dancer. I can feel the
35:03 way that you when I don't know when it
35:07 it feels like you regulate your thoughts
35:10 or anxiety or emotions by the way you
35:13 move.
35:14 >> No, I'm laughing. I love it because I've
35:15 never heard no one's ever seen me
35:16 before. So, thank you [laughter] being
35:17 seen for the first time live. But, um,
35:19 no, but but it is actually, you're
35:21 right. I've never no one's ever said
35:22 that or put that no one's ever put this
35:24 to me in these terms, but it is how I
35:26 self-regulate. Like, there [laughter] is
35:28 like even like
35:29 >> it's it's like it's like that is
35:31 >> Yes. No, no, you are correct. And like
35:33 I, you know, love physical comedians.
35:36 Like I that's always what gets me and
35:39 like I've made crazy faces. I can't
35:40 stop. Help. You know, but but that is
35:43 how I get back inside my body, I think.
35:45 >> Yeah. It made me think about my own
35:46 stuff.
35:47 >> Me during tech. It's like, oh god. No.
35:51 But [laughter] yeah. Yeah. It made me
35:53 think about like I I just did it now.
35:56 Like my own laughing. Like I love to
35:58 laugh and everyone's like I love to
36:00 laugh and laughing is so good for us.
36:02 >> And also laughing for me is expelling
36:05 anxiety like it is a way to just like
36:09 >> get shake out whatever is the feeling
36:11 that I'm having. And anytime dancing is
36:13 the same way for me. But it takes me so
36:15 long to realize that that is why I'm
36:17 doing something because I think
36:18 especially if you're like in the comedy
36:20 world or you're like a big thinker like
36:22 you're you're just like our brain we
36:24 just I use I'm like brain forward a lot
36:27 and I have to remind myself I have a
36:29 body.
36:29 >> Oh yeah. Oh yeah. This No, no, no, no.
36:33 >> Okay. Um anesthesia culture you talk
36:36 [laughter]
36:39 >> Yeah. I talk about anesthesia culture.
36:41 Look it up if you have to EDUCATE
36:42 YOURSELF NOW. IT'S SO FUNNY you guys.
36:45 [ __ ] I can't give away the joke, but
36:47 please watch it. But why you talk about
36:51 this idea that when we're under and we
36:54 come to how cocky the people are that
36:58 we're awake,
36:59 >> it's [laughter] a we can talk about it.
37:00 It's a throwaway moment and it's
37:01 special, I guess you could say. But I
37:03 talk about um kind of going not enjoying
37:07 going under anesthesia because I don't
37:09 like waking up
37:10 >> and the idea that everyone in the room
37:12 is like laughing at you that you've been
37:14 asleep the whole time. Like it's like if
37:16 you're a performer it's like you're you
37:18 have to go under to go off
37:20 >> like it's like cuz it's like I'm sure
37:22 you're like me where it's like oh I can
37:24 turn off. Of course, like comedians want
37:26 to get serious like we're like,
37:28 >> but the only time you're free, by the
37:30 way, I'm hamming it up as I was going
37:32 under. I remember this. The guy was as
37:34 my anesthes I'm LIKE I'M LIKE, "GOD, you
37:36 look like Griffin Dunn." The first one
37:38 was [laughter] like like
37:41 I was going so hard also cuz if I'm
37:45 nervous and if I'm in a medical
37:46 situation, so I have a lot of medical
37:48 anxiety. This is going to be this is
37:49 going to be the next special cuz I just
37:51 got like a completely unnecessary
37:52 angiogram. Oh, I actually I mean we
37:55 could talk about this forever cuz you
37:57 >> I'm obsessed with this idea that we are
37:59 now giving ourselves too much
38:01 information that's making us very
38:02 stressed.
38:03 >> Oh, of course.
38:04 >> Yes. And so you [laughter]
38:06 you had an angio.
38:07 >> I went a little hard on my neck with au
38:09 Instagram. Yeah. Instagram advertised to
38:12 me this neck massager. I go bought it.
38:14 Yes.
38:14 >> And then I was going really really hard
38:15 and I go, "Oh, it's a little too a
38:17 little too hard there." And then I start
38:19 looking up and they go, "Oh, well the
38:20 you know the veins, the arteries
38:21 [laughter] here, you want to be really
38:22 careful." probably go the arteries in
38:23 the neck. Oh god. And then I texted
38:26 Yeah. texted my doctor. Um and
38:28 >> [laughter]
38:29 >> um she really regrets the day she gave
38:31 me that and
38:32 >> and she was like, "I'm sure you're fine.
38:33 Whatever, but I'm so um I have that kind
38:36 of like sensation anxiety and stuff that
38:38 I was like, "Oh, I think something." So
38:40 then I I call Seed to talk to the doctor
38:42 and they're like, "We could order you a
38:44 CT scan. I mean, if you want to get an
38:45 angio, I mean, what's they go in? They
38:47 inject you with, you know, your veins
38:48 with
38:50 >> um dye and the whole thing." And I go,
38:51 "Well, that's insane." So, I'm putting
38:53 it off, putting it off, and then I go,
38:54 "I could do it next week." So, then I'm
38:56 being wheeled into the room
38:59 [laughter]
39:00 >> and everyone, you know, they're taking
39:01 they do the tests, everything, and
39:02 everyone's kind of looking at me cuz I'm
39:04 by far the youngest people in this. So,
39:06 I think people are kind of going, "Poor
39:08 woman. Like, what's going on with her?"
39:10 And so, I START GOING, "IT'S PROBABLY
39:12 NOTHING." YOU KNOW, HIU. YEAH. WENT a
39:14 little hard with the hiu, let's say.
39:15 >> Yeah. It's too much.
39:24 Let's go to Kada as a child. [laughter]
39:28 >> Okay.
39:29 >> I skipped the whole kid thing.
39:31 >> Yeah.
39:32 >> Yeah. You were born as an adult.
39:34 >> 30.
39:35 >> Um, were you as a little little Kate in
39:38 LA in Los Angeles,
39:41 >> artist parents?
39:43 >> That was really hard. Yeah. [laughter]
39:46 >> The rough side of Santa Monica. I was
39:48 going to say you were in Santa Monica.
39:49 >> Yeah.
39:50 >> Um
39:51 >> not in the industry. They're not in the
39:52 industry. Let's just get that.
39:53 >> What kind of artist are they?
39:54 >> Um so my dad works in metal collage.
39:58 >> It was funny. I was This was huge for me
40:00 a few years ago. There was like a New
40:01 York magazine piece about Nepo babies
40:03 and they and my face was in it next to
40:06 like like shame. I was like I'm famous.
40:08 I'm like what is this? And it was like
40:10 daughter of a sculptor, you know? I was
40:12 like trust me doll hasn't gotten me
40:14 work. You know what I mean? And then
40:15 like my mom did prop design and she did
40:18 make the Stonehenge prop in Smile Tap
40:21 famously.
40:22 >> So wow.
40:23 >> And that was also there cited as
40:24 nepotism. And I go
40:26 >> a little bit of a stretch.
40:27 >> It's a little bit of a stretch. But my
40:29 mom
40:30 >> um my mom was a stay-at-home mom if we
40:32 can even say that now, right? They're
40:34 taking that away.
40:35 >> So um but [laughter]
40:38 you know a deeply creative person.
40:40 >> Did you grow up with her? Did you grow
40:42 up with artists around the house
40:44 chatting about art?
40:45 >> Yes, that's all. I'm I'm an only child.
40:48 My parents' friends did not have kids,
40:49 so it really was like me at the at the
40:52 dining at the dining room table with the
40:54 adults being like, I have something to
40:55 say, too. And I think that was, you
40:57 know, intensely informative.
40:58 >> And did you feel like I mean, I'm sure
41:00 you've spoken about it a lot. You might
41:02 have talked about it in your in your
41:03 specials, but what is the only child
41:07 dilemma? What is like the best and
41:10 [laughter]
41:11 >> or is there one? Is there one? Like
41:13 what's the good and bad thing about
41:15 being an only child?
41:16 >> I don't know. I mean I having siblings.
41:18 I don't know. I don't really like
41:20 sharing my mommy. I don't think so. Amy,
41:23 [laughter]
41:24 number one, please. Yeah. So, sharing my
41:27 mommy would have been hard, but I think,
41:29 [laughter]
41:30 you know, as you age, you go, "Oh, it
41:32 would be helpful." But then also, you
41:33 you never know what you're going to get.
41:35 I mean, people have siblings and it's
41:36 like they're helpful when when shit's
41:38 falling apart. So, so I don't know.
41:40 >> Well, your sibling relationship is often
41:42 the longest relationship in your life,
41:44 which I and I was like, whoa. I read
41:46 that and I was like, wow. Cuz that is
41:48 they, you know, like
41:49 >> and don't complicate it with sex.
41:51 >> Okay. [laughter]
41:51 >> Never.
41:52 >> Cuz that's the thing that really don't
41:54 [ __ ] where you eat, guys.
41:55 >> Exactly, guys. If you could take away
41:57 one thing from [laughter] Kate.
41:58 >> Yeah.
41:59 >> Um, so you're like this like precocious
42:03 kid in a way. Were you did you feel
42:04 older than you were when you were a kid?
42:06 >> But I think um watching I think so much
42:08 of what I like through mimicry like I
42:11 remember like when I saw Aaron
42:12 Brochovich I started doing my homework
42:14 in heels you know like [laughter]
42:20 like like for real and I was like
42:24 [laughter]
42:25 yeah I'm into this.
42:26 >> Yes. And so I think that like [laughter]
42:28 watching movies, watching people like be
42:32 smart or sound smart is kind of like,
42:35 >> yeah, I'm going to kind of just like
42:36 take that.
42:37 >> Okay. And then you did um some crazy
42:39 early jobs. And is it true that you were
42:41 a voice actor in Texas for a call-in
42:43 radio [laughter] show?
42:44 >> Oh my god. Is that true? So I don't know
42:47 where I got hooked up with this, but it
42:48 was a thing where
42:50 >> you would do like so for call-in radio
42:52 shows where they're like morning radio
42:53 where they're like Yeah. So, we got
42:55 here, guy and a girl went on a first
42:56 date. Uh, the girl uh let's just say she
42:59 doesn't have a face or whatever, you
43:01 know? So, it's like these like these and
43:02 then but they're being presented as
43:04 real. So, I would play and they go like,
43:07 "We got we Okay, so we we have her on
43:09 the line. She has no idea that we're
43:10 that we're listening in. So, we're just
43:12 going to call." So, I would pretend to
43:13 be the person who's like, "Hello." You
43:15 know, and and I did I think like one and
43:18 Yeah, it was like
43:20 >> and then the like the casting was like
43:22 she was like, "You're good at this."
43:23 Yeah.
43:24 >> She's like, "You're good at this." Cuz
43:25 there's one where I had to pretend to be
43:27 crying. It's devastating. It was like
43:28 they're humilating this woman on air and
43:30 I have to be like, "Wait, [laughter]
43:31 what? I'm on the radio." No. Like really
43:34 sad. I mean, that was a send up. Okay. I
43:36 was doing it rose grounded. I was Laura
43:37 Lenny with the Yeah.
43:39 >> But of course.
43:41 >> Um, but yeah, I did that a few times and
43:43 I think I'd get p I mean I think I you
43:45 know I would get paid like 75 bucks or
43:47 something. I don't know. But it was I'd
43:49 have to wake up like 4:00 a.m. cuz it
43:50 [laughter] was the time to call you. So
43:52 they call me and I like wake up at dead
43:53 sleep and be like oh my god no whatever.
43:56 [laughter]
43:57 >> Yeah and then I slept through one.
44:00 >> Oh you missed your call. They were like
44:02 they were like we need you Dallas radio
44:04 7 a.m. Who knows where I was. I I woke
44:06 up. I saw the missed calls. Fired. Never
44:10 again. I get it.
44:11 >> Yeah they depend on you because of the
44:13 radio. Yeah.
44:14 >> Yeah. And they had to then on their side
44:16 they had to improvise like oh we can't
44:17 get a hold of her. They must have been
44:18 curious.
44:19 >> Yeah. Exactly. [laughter] Exactly. I
44:21 mean there is hell hath no fury like a
44:23 radio DJ.
44:24 >> They have to the segment suffers and
44:25 they can never bring you back.
44:27 >> And you know we cannot talk about like
44:29 your early early career like starting
44:32 out without talking about John Early.
44:35 >> Speaking of early because John Early and
44:37 you let's talk about John for a second
44:41 >> because the way you guys interact
44:44 together scratches a comedic itch for so
44:47 many people. Why do you think that is?
44:50 What is it that
44:51 >> amazing sex?
44:52 >> Yeah. [laughter]
44:53 >> Yes.
44:54 >> When you can connect on that sematic
44:56 level with someone, [laughter]
44:59 >> it can't help but reflect in the work.
45:01 >> Yeah. Um John, you know, it's like it is
45:05 like, you know, one of the great loves
45:07 of my life, John Early. Like we did we
45:10 are we like met in this very like
45:12 whirlwind like romantic way where it was
45:14 like we met and then in a very lesbian
45:16 fashion like we're inseparable and he
45:18 slept on my bed for like 3 years,
45:19 [laughter]
45:19 >> right?
45:20 >> And I was like, why can't I get a man?
45:23 >> I was like, SEE, IT'S HARD. IT'S
45:25 DIFFERENT FOR ME. [laughter] YEAH.
45:26 >> YEAH.
45:27 >> And John, we met Yeah. We met on set of
45:31 a friend's short film and uh we had like
45:34 he had messaged me on Facebook or
45:36 something and I was like who's this and
45:38 then I watched a video of his and I was
45:39 like oh he's really funny.
45:40 >> We were trying to break it down today
45:41 because we're such fans of your work
45:44 alone of course and with John. And with
45:47 John, I'm not like the biggest I get a
45:49 little stressed when people come at each
45:51 other pretty hard. Like
45:53 >> in comedy, like I'm I I I'm not a big
45:55 roast fan. Like,
45:57 >> but the way you two [laughter]
46:00 gently knife each other in the stuff
46:02 that you do is like
46:04 >> fascinating to watch. I think it's funny
46:06 for us because like we don't similarly I
46:09 don't want to be roasted or ever roast
46:11 anyone and like [laughter]
46:13 John is you know like from the south and
46:15 like John's the last like so I think
46:17 >> our like that's a place for us to like
46:20 go there.
46:20 >> Yes.
46:21 >> And but very much behind this like
46:23 character mask of course. Mhm.
46:25 >> Um but
46:27 >> yeah, I I don't know why it's funny
46:29 because we are like there have been
46:32 times or over the years we've been like
46:34 but we're not mean like like people are
46:36 like you guys are vicious like and it's
46:38 like no it's not like that's not what it
46:39 is.
46:40 >> No, it's not.
46:41 >> I I mean I don't I don't know exactly.
46:43 >> And it feels like there's like some
46:45 border around it that's surface level
46:48 which is always so funny when people are
46:50 not acting the way they're feeling.
46:52 That's just like inherently funny. Well,
46:53 I think that's exactly what it is. And
46:55 like we just like the failed performance
46:57 to say it again. Like when people think
46:58 that they're covering and they're not.
47:00 And when people are using the social
47:02 nicities to cover [laughter]
47:04 >> like and like that is just heaven.
47:07 >> It's heaven. Me too. It's like when
47:09 someone is angry
47:10 >> and they are like trying to conduct a
47:12 meeting or something is heaven. How are
47:14 you with conflict? What's your conflict
47:16 style?
47:17 >> What do you mean? [laughter]
47:19 >> Sorry, I said the word again. Conflict.
47:20 Sorry, I missed it. Um,
47:22 >> like when something like that happens,
47:23 do you get filled? I get filled with a
47:25 little bit of excitement.
47:27 >> Adrenaline. Oh, you mean like w like to
47:29 Well,
47:29 >> conflict is get
47:30 >> watching people fight through the My
47:32 favorite thing in the world is screaming
47:33 fight on the street safely watching from
47:35 the window. [laughter]
47:36 That and my heart's beating through my
47:38 chest. Yeah.
47:39 >> Yeah. Totally. Do you are do you have a
47:41 like direct conflict style? Do you have
47:43 do you feel like what when you're angry
47:45 about something, what does it look like?
47:46 Um, it's a it's a really interesting
47:49 question that my therapist should be
47:50 asking me and [laughter] she's not. So,
47:52 there's an issue there that we'll
47:53 explore later. You should yell at her.
47:55 You should yell at her.
47:57 >> Maybe I withdraw.
47:58 >> I'm I'm wondering.
47:59 >> I'm probably going to go with withdraw.
48:01 >> Yeah. [laughter]
48:04 >> Gun to my head. Withdraw.
48:05 >> Withdraw. Um, no. I think um I've talked
48:09 about it a lot, so I won't get into it,
48:10 but like I had a really upsetting
48:11 incident with a chimney sweep a couple
48:13 years ago. [laughter]
48:16 I'll just say quickly quickly. He came
48:17 into my home,
48:19 >> came into my home doing a chimney sweep.
48:22 I go I go, "Oh, he has like no drop
48:23 cloths." I go, "Okay, so now I'm getting
48:25 into the forensic details, but I was
48:26 like, "White couch, white thing. I just
48:28 moved in." I go, "Oh, do you have like"
48:30 And this is this is funny. Do you have
48:31 like drop cloths or anything? He goes
48:33 and he kind of like laughs. He's like,
48:34 "I'm fine." And I go, "Okay." He's a
48:36 chimney seat. Well, I'm going to come
48:38 here. [laughter] He knows how to do his
48:39 job.
48:39 >> God forbid.
48:40 >> So I go, "Okay, I'm going to let you." I
48:42 go into I come back.
48:44 Amy.
48:45 >> Oh no.
48:45 >> Soot on the white couch. [gasps] Soot on
48:47 the curtain set in the hallway. I go
48:50 like this. There's s and I'm like
48:55 >> there's soot in the home. And he kind of
48:57 do this thing like I mean
48:59 >> gaslight city.
49:00 >> By the way, and and here's where I
49:01 here's I I paid so not full cuz I'm in
49:04 there in the kitchen with the thing and
49:06 then I go I can't pay full price. Get
49:07 the boss on the phone. This whole thing
49:09 he goes maybe your house was dirty.
49:11 >> Yeah.
49:12 >> Sweet. Say it again. It was dirty.
49:14 >> Yeah. And so,
49:15 >> and you're basically being held hostage,
49:17 too. Like, you have to pay because you
49:19 want him out of your house.
49:19 >> Yeah. I want the chimney sweep gone.
49:21 [laughter]
49:21 And I'm so excited cuz I had an amazing
49:23 chimney sweep earlier years before and I
49:25 couldn't find his number. And he had
49:27 drop claws and he had respect.
49:29 >> Yes.
49:29 >> And so, but I I'll just say that night
49:31 went to bed literally permanent TMJ like
49:34 one night of clenching from the chimney
49:36 sweep and that years later. So, I should
49:38 be going to court and [laughter] the and
49:40 the tension on this jaw brought the face
49:42 down. Okay. Okay. So, the tension on
49:43 this side. So, so I'm losing work, okay,
49:45 from that. So, the sh So, one night.
49:47 [laughter] So, that wasn't that was an
49:49 experience where I could have gone
49:50 harder in the moment. I didn't cuz I was
49:52 just like kind of panicked and sad. But,
49:54 >> okay, but let's break down. You also
49:56 didn't go harder in the moment because
49:57 you've got somebody in your house.
49:59 >> Yeah, totally.
49:59 >> It's not a safe situation.
50:01 >> It's a man in your house for real.
50:03 >> And also,
50:03 >> that's when I wanted a husband. I go,
50:05 Eric. [laughter]
50:06 >> You know, like that's when you that's
50:07 when you want that
50:08 >> you want to call for Eric.
50:10 Eric comes down from his study and he's
50:13 like, "Hey, man."
50:14 >> Yeah. No. Exactly. And then I go and I
50:15 go, "Yeah." And I walk away.
50:16 >> You walk away.
50:17 >> They get to have it out.
50:18 >> And you can hear Eric yelling a little
50:20 bit
50:21 >> and you get like a little
50:22 >> Eric's getting a BJ tonight. [laughter]
50:23 >> Yeah.
50:24 >> Exactly.
50:25 >> So, that dynamic is fun and I get that.
50:27 >> Yeah.
50:27 >> Yeah.
50:28 >> Um, okay. So, John Early, we spoke to
50:31 him before this podcast because we
50:33 always speak to somebody who knows our
50:34 guests and John gave us some amazing um
50:37 questions for you.
50:38 >> Oh my god. Okay. Okay, so here we go.
50:42 John wants to know a couple things.
50:43 >> Okay.
50:44 >> Do you miss Paris? [laughter]
50:47 Yes.
50:50 Okay. John wants to know, do you think
50:52 you're funny? [laughter]
50:55 Yes. Okay. Um John wants to know, "How
50:58 are the kids?" [laughter]
51:01 [sighs and gasps]
51:02 >> Amazing.
51:04 >> Congrats.
51:05 >> It's just, you know, Yeah.
51:07 >> Yeah. [laughter]
51:08 >> Yeah. They're at a a really fun age.
51:12 >> Yeah. Cool. What age is that? [laughter]
51:15 >> Just right around that area where you
51:17 go.
51:18 >> They're become They're They're them, but
51:19 they're you. And it's
51:20 >> But you do know how old they are. Yeah.
51:22 >> Sure. Yeah.
51:23 >> Yeah. Okay. Good.
51:23 >> Fourish.
51:24 >> Forish. Yeah. [laughter]
51:26 >> Um John wants to know, "So, are you gay
51:28 or what?"
51:30 >> John will do that to me. It's so funny.
51:32 Like [laughter] he'll text me out and
51:34 go, "Are you gay? Bye." What is it?
51:38 [laughter] So true.
51:38 >> Or my favorite thing like I'll be doing
51:40 a show and John will be like just
51:42 remember [laughter]
51:44 the show is broken because you are
51:46 broken.
51:49 It's really funny
51:50 >> to me. The love language of comedy
51:54 people is my favorite thing in the
51:56 world.
51:56 >> He will leave a voicemail for me and
51:58 he'll be like it's just so like like the
52:00 yesterday so embarrassing. She's
52:02 promoting her special and she's
52:04 [laughter] doing these press appearances
52:06 and it's just like, oh my god.
52:08 Meanwhile, you know, HBO, they're not
52:10 going to release it. [laughter] I've
52:11 already been on the phone with them.
52:12 They're holding it back. And there she
52:14 is trotting out in her little outfits
52:15 and they'll be like, oh my god, [ __ ]
52:17 [ __ ] [ __ ] [ __ ] hang. [laughter]
52:19 Oh, it kills.
52:20 >> He pretends he's
52:21 >> he pretends that he's calling someone
52:22 else or he pretends he's accidentally
52:26 leaving it on my machine.
52:27 >> Oh my god, it's really funny. That to me
52:30 feel makes me feel so safe and love.
52:32 >> Yeah. Yeah. It's really sweet.
52:34 >> And then shoes on or off?
52:36 >> Off.
52:37 >> Always.
52:38 >> In the home off.
52:39 >> So when someone comes to your home, do
52:42 you say, "Please take your shoes off?"
52:44 >> So I have a I have a small home to quote
52:47 the handyman who came to the house when
52:50 I first moved in. And this is a direct
52:52 quote. Never have I seen a house so
52:54 small. And that was the exact delivery.
52:56 That was the exact language used.
52:58 >> [laughter]
52:59 >> I go, I mean, it's not that small. I
53:01 mean, I don't have Eric. I don't have a
53:03 rich husband. You know, I go, I thought,
53:04 you know, um and then I'll just say a
53:07 couple days later, he returned and he
53:08 goes, do you have many more things to
53:10 move into this very small home?
53:11 [laughter]
53:12 >> And by the way, the living room, there's
53:13 no couch, there was nothing. I go, well,
53:14 yeah, I have to bring in the furniture.
53:16 [laughter] And he go and I go, but
53:17 there's not that much. And he goes,
53:18 that's good because it's so small.
53:21 So, because the house is small, I don't
53:23 I don't have a grand foyer, you know,
53:25 there's no room for a shoe rack. So, we
53:26 have kind of have like a horrifying
53:28 pile, a little pile by the front door.
53:29 So, it depends depending on I'll kind of
53:33 be like take them off if I just, you
53:35 know.
53:36 >> Do you put on a house slipper?
53:37 >> Oh, yeah. I have I have multiple house
53:39 slippers.
53:39 >> This is what I Thank you. Mhm.
53:41 >> Another reason why I love you, Kate, is
53:44 because I know you love things and you
53:46 really
53:47 >> and I would say that one of the things
53:49 that's so amazing about you and
53:51 Jacqueline and Poo, which is an
53:52 incredible podcast and congrats on that,
53:55 the success of that because it's so
53:57 funny and good. And you guys, for people
53:59 that don't know, Pooh like deep dives
54:02 into products in a way much like how
54:05 we're talking today where Kate and
54:07 Jacqueline Novak, a super talented
54:10 writer, performer. They like talk about
54:13 a red light mask and then somehow get to
54:16 Dante's Inferno very fast.
54:18 >> It's very high meets low and it's very,
54:20 you know, we started Poo in COVID. Yes.
54:23 >> And really kind of started as a way poo
54:25 goop backwards. Get it? Okay. So, and
54:28 kind of as like a wellness, beauty
54:30 podcast, but really also just a way that
54:32 we could get free stuff, which has been
54:34 incredible. [laughter] And so, we were
54:35 like, people will send us these products
54:37 and then, you know, Yeah.
54:38 >> So, but but and also kind of this idea
54:41 of like searching for the right product
54:44 and that the and there's this
54:45 misconception that you want to find the
54:47 right product. You actually don't. You
54:48 want to engage in the in the search
54:50 forever. The search is kind of, you
54:51 know, the ego loves to search and never
54:53 to find. And we'll just let that sit.
54:55 Yeah.
54:55 >> 3 2 1. And so that constant manic
55:01 there is this product out there, this
55:03 person out there, this thing out there,
55:04 and then you're going to arrive and
55:06 you're going to be whole and you're
55:06 going to be healed, you're going to be
55:07 beautiful. It's like we we on some level
55:09 we know that's not coming, but it's
55:10 really fun to go
55:12 >> and try the serum to go I think it's
55:13 doing something. And to have fun, a new
55:14 lipstick, a new like there's pleasure in
55:16 that.
55:17 >> Yes. And so on Pug, you guys talk about
55:19 things and I love listening to it
55:22 because like you, I am in the pursuit
55:24 for like the platonic best thing for the
55:27 thing like as if my life is going to get
55:29 smaller and simpler if I just get the
55:31 right thing. But I do want to know what
55:34 shoe you bought for your house shoe.
55:36 >> So this is kind of cheating because it
55:39 is it was a gift.
55:40 >> Okay,
55:41 >> but I'm going to go with a classic UGG.
55:44 Sorry, UGG. There's so many different
55:46 kinds of slippers. And I by actually I
55:48 paid out of pocket. I purchased the
55:51 ultra mini um boot that's like under the
55:54 ankle almost.
55:55 >> Okay. Yes.
55:56 >> Um this uh kind of
55:58 >> Does it have a fur lining? Like is it
55:59 okay?
56:00 >> So by the way, even today 140° getting
56:03 into the boot first thing.
56:04 >> You are you have to keep your feet warm.
56:06 >> How do you feel about air conditioning?
56:08 Like are you an AC person? Do you keep
56:10 it cool?
56:10 >> Blast it down.
56:12 >> Me too.
56:12 >> Yeah. I mean, I really last night I was
56:15 cuz I sleep naked, guys. This isn't
56:18 about that. I'm here to talk about my
56:20 work, but [laughter] and I want an eight
56:23 sleep. And hi, I'm here on this podcast.
56:26 Hey, eight sleep or Yeah, now's the
56:28 time. Send them now.
56:32 [laughter]
56:33 If that if this doesn't get me AN EIGHT
56:35 SLEEP, IF THIS THIS DOESN'T GET ME AN
56:37 EIGHT SLEEP, please get Kate a sleep.
56:40 [laughter] And so I'm going to end our
56:42 talk today.
56:43 >> No, no, no,
56:44 >> I know. I know. But I You have a lot of
56:47 incredible takes on things.
56:49 >> Oh.
56:50 >> So I want to get your thoughts on
56:51 things. They don't have to be funny.
56:52 They can be whatever they you can it can
56:54 be whatever you want.
56:55 >> The moon fake.
56:58 [clears throat and laughter]
56:59 >> Like again.
57:02 >> Yeah. Every night. [laughter]
57:05 >> Every night.
57:06 >> I just want to see
57:07 >> Yeah.
57:07 >> something different from it.
57:10 I mean, it does change [laughter] every
57:11 night. I mean, it gets
57:12 >> But in the same way, you know what I
57:14 mean? When people People change in the
57:15 same way. You go, "Now you're doing this
57:16 thing. Now you're doing that thing.
57:17 You're concealing this part. You're
57:18 concealing that part." Yeah.
57:19 >> Oh, no. I'm right here in the open. No,
57:21 you're not cuz you're going to be gone
57:22 tomorrow.
57:22 >> Psychics.
57:23 >> I believe there are gifted psychics.
57:25 Like I People are tapped in.
57:27 >> Do you believe you have any psychic
57:28 abilities?
57:29 >> YEAH. [laughter]
57:34 >> YEAH. You do for real?
57:36 >> Yes. Have you ever predicted anything?
57:38 Yes. [laughter]
57:40 >> What?
57:42 >> Can't get into it.
57:43 >> Okay.
57:43 >> No, I I think we all, you know, psychop
57:45 we all we all
57:46 >> I don't feel like I have psychic
57:47 abilities.
57:48 >> I have stuff.
57:49 >> I can read people and I can I feel like
57:52 I'm pretty good at noticing energies,
57:53 but I don't feel like I have a psychic
57:56 ability to figure out that out. But
57:58 >> I've had some some interesting
58:01 instances. But again, I'm on my phone
58:03 all day, so I'm blocking all of that
58:04 out.
58:04 >> Yeah. Okay. Um, what about ghosts? Have
58:07 you seen any ever?
58:10 >> Yes.
58:10 >> Yes.
58:11 >> So, so you've talked to ghost. So,
58:13 people you look at me, long hair, you
58:16 know, oh, who's this, you know, witchy
58:18 psychic ghost people? I'm actually
58:21 typically not I I don't I don't like
58:23 karaoke, for example. People think
58:24 things about me. Okay. [laughter] So, um
58:28 and I, um I was told not to talk about
58:32 it because then they they they take it
58:34 as a way to kind of come in. I I swear
58:36 to God the last couple years. Let me
58:38 see.
58:39 >> You've been seeing some ghosts. You have
58:40 to talk to my friend Rachel Dash because
58:42 she does she is really into woo woo and
58:44 she kind of collects woo woo stories.
58:46 >> I've had some I've had some like um I've
58:49 always been scared of ghosts and then
58:51 the last couple years I've seen a few
58:54 and actually some situations I would
58:57 think would really scare me. No fear
58:59 whatsoever. Completely fine. I've had
59:01 two upsetting experiences that really
59:03 freaked me out.
59:04 >> Okay. So, I kind of went to someone and
59:06 went like, "Let's close the door."
59:08 >> Um,
59:08 >> God, I wish I could see a ghost. I have
59:10 not seen a ghost and I I just They just
59:12 do not [ __ ] with me. Ghosts. I
59:15 >> You don't want it. I don't think I don't
59:16 know. I don't know. Some, you know, some
59:18 people I would like to come through and
59:20 I'm interested in that. But, um, maybe
59:21 not.
59:22 >> But,
59:22 >> okay.
59:23 >> Once you've had a couple bad ones, you
59:24 go,
59:26 >> "Yeah,
59:26 >> let's just say I've got some special
59:28 figurines on on my nightstand lately."
59:30 [laughter]
59:30 >> Some crystals.
59:31 >> I was given some figurines.
59:33 >> Okay. cuz I go,
59:35 >> I don't want to see that one anymore.
59:37 >> Yeah.
59:37 >> And they were like, for $29.99, I can
59:39 give you this.
59:39 >> I know. Truly, the amount of people
59:41 friends I've had that have been like,
59:42 and she said that for $500, she could
59:44 lift the curse. I'm like, oh, no. I
59:46 mean, people that really
59:46 >> because let's let's lift the curse for
59:48 free. How about we try that?
59:49 >> All curses can and should be lifted for
59:51 free. [laughter]
59:52 >> Yeah, like makeup and tampons. Um, Los
59:55 Angeles.
59:56 >> I'm from LA. I lived in New York for 10
59:57 years. I'm there all the time. But I
59:59 think the um, you know, people love to
1:00:00 talk [ __ ] on LA. And even this conver
1:00:02 you even this feels cliche when I'm when
1:00:04 I'm dropping into right of kind of like
1:00:05 people like I talk but I um I love Los
1:00:09 Angeles you know she can be a cruel
1:00:10 mistress but to me it's it's Hollywood
1:00:13 it's dreams it's it's it's images it's
1:00:15 lizards it's cactus it's a it's a palm
1:00:18 tree half on fire you know it's it's all
1:00:20 of Yeah.
1:00:21 >> Yeah.
1:00:21 >> There's something brutally solitary
1:00:23 about Los Angeles. I love New York so
1:00:25 much. So many times I go back to New
1:00:27 York and I'm like I've ruined my life by
1:00:29 not living here. I'd be a better artist.
1:00:31 to be more connected to to people, to
1:00:33 strangers. Like I I I really long for
1:00:36 strangers and for those like
1:00:37 interactions that really feeds me on a
1:00:39 deep level. And I I am sad that in LA
1:00:42 it's harder to get those interactions.
1:00:44 >> Um but I think uh
1:00:48 I don't know LA is is it is it isn't
1:00:52 it's strange.
1:00:53 >> Yes. And it can make you feel I remember
1:00:55 after living in New York coming back to
1:00:56 LA and being like well I've never felt
1:00:59 uglier more exposed more alone driving
1:01:02 in the car looking in the mirror like
1:01:06 >> like you're alien you're like who is
1:01:08 that?
1:01:09 >> It's so bright.
1:01:10 >> It's so bright there's nowhere to hide
1:01:12 [snorts] and yet it only can hides you.
1:01:15 I don't know but
1:01:17 >> you love her.
1:01:17 >> You love her. Come on. Seeing those
1:01:20 hills speckled with homes lit up at
1:01:22 night. [laughter]
1:01:23 Drive down Hollywood Boulevard. It's a
1:01:25 man with a machete outside the man's
1:01:27 Chinese and you go
1:01:29 >> and you I'm home.
1:01:30 >> We're dreaming. We create the dreams,
1:01:33 Amy. This town
1:01:35 >> creates the fantasies that drive the
1:01:36 world.
1:01:37 >> And what's [laughter] um and what's
1:01:40 making you laugh?
1:01:41 >> My last question to you like like what
1:01:44 do you do to laugh? And you can't say
1:01:48 you're friends. just go watch people
1:01:50 fall down at the supermarket. [laughter]
1:01:54 Um, what makes me laugh is
1:01:57 non-performers performing. Like,
1:01:59 >> I've been to a couple weddings, a couple
1:02:01 like those kinds of environments where
1:02:03 someone who's not a performer is giving
1:02:06 a speech.
1:02:07 >> Yes.
1:02:08 >> That is exquisite. [laughter]
1:02:10 >> And let's talk through that because I
1:02:12 know what you mean. And I bet you're the
1:02:13 same like as women like our mirror
1:02:15 neurons, we we don't want anyone to be
1:02:17 humiliated. No, of course. Of course
1:02:19 not.
1:02:19 >> And it's sweet. You see people scary up
1:02:21 there? I'm a performer. I'm scared up
1:02:22 there.
1:02:23 >> Yes. But when it's like a little bit
1:02:26 awkward but fun, but what do you what
1:02:28 what makes you laugh? Like what what do
1:02:30 you what's your your like perfect
1:02:32 version of that?
1:02:32 >> I think what's so fascinating about
1:02:34 wedding speeches is there's like this
1:02:36 template and people are like
1:02:39 >> like this is something I've talked about
1:02:40 with John. So classically the bridesmaid
1:02:44 speech, you're the bride, right?
1:02:45 >> You're this, you're funny, it's fine.
1:02:47 and come. It's listing things. And in
1:02:49 the vows too, it's usually
1:02:52 and [laughter]
1:02:53 whether we're or
1:02:56 it's like so shocking. It's like this
1:02:58 rehearsed and there's a beauty in that.
1:03:00 Like this is the structure we can all
1:03:01 fall into and collapse into those
1:03:03 familiar language and everyone knows
1:03:04 exactly what's going to happen. And but
1:03:06 but it's like that's funny. Yes.
1:03:08 >> Like that that that's [laughter]
1:03:10 that's really and again the listing
1:03:12 traits.
1:03:13 >> Yes.
1:03:14 >> It's always listing traits.
1:03:15 >> I know. It's so funny.
1:03:16 >> You're goofy. You're smart. [laughter]
1:03:18 You're kind. And you're generous.
1:03:21 Listing traits.
1:03:24 We have to go beyond the list.
1:03:26 >> Yes. But breaking out of that is
1:03:28 >> I understand too. I'm saying that I'm
1:03:30 not admonishing the list. I get it.
1:03:32 >> You're right. That's You could hear that
1:03:34 language. You could hear that rhythm and
1:03:36 >> a hint a hint and a [laughter]
1:03:38 It's like it's really there. Yeah.
1:03:43 >> Yeah. I totally I love a wedding. love
1:03:47 >> if it's a bad wedding, I'm like, [sighs]
1:03:51 you know, if everyone if there's like a
1:03:53 clumsy speech or people are stressed or
1:03:55 the wrong person cries or the ex is
1:03:57 there and it's awkward, I'm like, oh my
1:03:59 god, what theater. And if it's beautiful
1:04:01 and full of love, I'm like, amazing. I
1:04:04 love that, too. I love a wedding.
1:04:05 >> And I and I just I love parties so much
1:04:08 and I'm very like planner. Like, if I
1:04:09 didn't if I didn't do what I do, I think
1:04:12 I'd be like party planner. [laughter]
1:04:15 I've never I've never Yeah, maybe.
1:04:18 >> Wait, tell me.
1:04:19 >> Professor/p partyy planner. [laughter]
1:04:21 >> Yeah,
1:04:22 >> but what parties make me a little
1:04:23 stressed? They're very unstructured.
1:04:25 >> No, totally. Well, I I go, "Oh my god,
1:04:27 the apps like bring out the apps now."
1:04:29 You know, I was actually at a wedding
1:04:31 recently. Nice one. App broken glass
1:04:33 bleeding in my mouth.
1:04:35 >> Ran to the bathroom. There's blood. I
1:04:37 spit I spit out in THE CEVICHE. THERE'S
1:04:39 GLASS.
1:04:40 >> SO, [laughter] I GO BACK. I GO I GO IN.
1:04:42 I don't tell anyone. I'm not going to
1:04:43 ruin this wedding. I go into the kitchen
1:04:45 through the doors into the metal doors.
1:04:47 I go, "Guys, the ceviche trays, you got
1:04:49 to pull them. You got to pull them.
1:04:50 There's glass, you know, and I quietly
1:04:54 Oh,
1:04:54 >> quietly.
1:04:55 >> You want to put out those fires
1:04:56 >> and all micro like I definitely have
1:04:58 like kind of a white knuckle grip. Like
1:05:00 I love to have a dinner party or
1:05:02 something and I love to spend the days
1:05:03 awake, you know, the nights before. It's
1:05:06 not a simple. It's it's not the
1:05:07 effortless host is a lie. I I think it's
1:05:09 real. Some people actually can do that,
1:05:12 >> but like I'm like
1:05:13 >> shaking.
1:05:14 >> Yeah,
1:05:15 >> but there's things you can't control.
1:05:16 You can control the party, but guess
1:05:17 what? Overcontrolled party. Hell. Hell
1:05:19 for everyone.
1:05:19 >> Hell.
1:05:20 >> So that's the thing. You have to create
1:05:21 the structure, but you have to let it to
1:05:22 dissolve.
1:05:23 >> Yeah. Yes. You might burn like
1:05:25 something's going to burn the like
1:05:27 someone's going to get into a bite. Like
1:05:29 wine will be spilled. A chimney sweep
1:05:31 may show up. [laughter]
1:05:34 >> Yeah, he might.
1:05:35 >> Yeah, he might. Hey, he might give you
1:05:36 TMJ,
1:05:37 >> but you keep going.
1:05:39 >> And that is something the second thing
1:05:41 we want you to take away from other than
1:05:43 having sex with your sibling. Don't do
1:05:44 that. [laughter]
1:05:45 >> Don't. Guys, don't do it. Don't do it.
1:05:49 [gasps]
1:05:49 >> Capland. [laughter]
1:05:52 >> I love you. Wait. I love you so much.
1:05:55 You are a hero to me. I have no trouble
1:05:57 saying that to you. And also truly going
1:06:00 through a really hard time recently.
1:06:01 What did I pop on? Wet hot.
1:06:05 They came together double feature
1:06:07 [laughter]
1:06:09 because I'm like I need something funny.
1:06:11 I'm thinking okay funny movie. What's a
1:06:12 funny movie? Oh that's funny. Nothing's
1:06:14 coming up. And then I go we're going
1:06:17 we're going back to with wet hot lives
1:06:19 in my DNA and such a I mean
1:06:22 >> you must have been a teen when it came
1:06:23 out. Right.
1:06:24 >> Yeah. I don't remember when I first saw
1:06:25 it. I saw it later.
1:06:27 >> Yeah.
1:06:27 >> But um
1:06:28 >> it is the most beautiful and just Yeah.
1:06:32 >> Thank you, Kate. I love I love seeing
1:06:34 >> and that's just the tip. I'm not going
1:06:36 to do your CV. We all know. But I love
1:06:38 you.
1:06:38 >> Thank you, Kate.
1:06:39 >> I love you.
1:06:42 >> Thank you so much, Kate Bland. That was
1:06:44 so fun. I love talking to you and you're
1:06:46 so funny and um it's just a joy to be
1:06:50 around you. So, uh Kate and I talked
1:06:52 about a lot of things. One of the things
1:06:53 we talked about is how fun it is to
1:06:56 watch a awkward wedding speech. But I
1:07:00 just want to say for people that are
1:07:02 right now getting ready to give a
1:07:03 speech, a wedding speech, just a few
1:07:06 tips. Here are my unsolicited tips,
1:07:09 which start with a joke, end
1:07:14 sincere. Don't do it the other way
1:07:16 around. Don't start sincere and then
1:07:19 think that this hilarious joke is going
1:07:21 to kill. Start with a really nice, easy
1:07:25 joke up front. Maybe something about how
1:07:27 you're nervous, something self- aacing,
1:07:30 and then just get them at the end by
1:07:32 being very, very sincere. You can never
1:07:35 go wrong if you're sincere. You can go
1:07:38 horribly wrong if you say the wrong
1:07:41 joke. So, that would be my unsolicited
1:07:44 advice. But congratulations on your
1:07:46 wedding and congratulations on being the
1:07:48 bridesmaid. And um remember, take your
1:07:52 speech and cut it in half because it's
1:07:53 going to go longer than you think. Um,
1:07:56 thank you so much for listening to Good
1:07:57 Hang. Uh, thanks for checking in with us
1:07:59 and, um, have a good one.
1:08:03 [laughter]
1:08:06 You've been listening to Good Hang. The
1:08:08 executive producers for this show are
1:08:09 Bill Simmons, Jenna [music] Weiss
1:08:10 Berman, and me, Amy Polar. The show is
1:08:13 produced by The Ringer and Paperkite.
1:08:15 For the Ringer production by Jack
1:08:16 Wilson, Cat Spalain, Kaia McMullen, Aia
1:08:19 Xanerys, Bridget Gearlings, Paige
1:08:22 Garberini, Bell Roman, and Drew Vanstein
1:08:24 [music] Bergen. For Paperkite,
1:08:26 production by Sam Green, Joel Levelvel,
1:08:28 and Jenna Weiss Berman. Original music
1:08:30 by Amy Miles.
1:08:33 really good. Hey